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  1. #1
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    Kill Bill Sountrack Listing

    http://www.latinoreview.com/films_20...interview.html

    1. "Bang Bang (My Baby Shot Me Down)" - Nancy Sinatra
    2. "That Certain Female" - Charlie Feathers
    3. "The Grand Duel - (Parte Prima)" - Luis Bacalov
    4. "Twisted Nerve" - Bernard Herrmann
    5. Queen Of The Crime Council - dialogue excerpt from film featuring Lucy
    Lui and Julie Dreyfus
    6. "Ode To Oren Ishii" - The RZA [New]
    7. "Run Fay Run" - Isaac Hayes
    8. "Green Hornet" - Al Hirt
    9. "Battle Without Honor or Humanity" - Tomoyasu Hotei
    10. "Don't Let Me Be Misunderstood" - Santa Esmeralda
    11. "Woo Hoo" - The 5.6.7.8's
    12. "Crane"/"White Lightning" - The RZA/Charles Bernstein
    13. "The Flower of Carnage" - Meiko Kaji
    14. "The Lonely Shepherd" - Zamfir
    15. You're My Wicked Life - dialogue excerpt from film featuring David
    Carradine, Julie Dreyfus and Uma Thurman
    16. "Ironside" excerpt - Quincy Jones
    17. "Super 16" excerpt - Neu!

    Kung Fu Stings and SFX:
    18. Yakuza Oren 1 - The RZA [new]
    19. Banister Fight - The RZA [new]
    20. Flip Sting
    21. Sword Swings
    22. Axe Throws



    bonus interview

    How did you get the part in Kill Bill? (Daryl plays the ruthless Elle Driver. The type of character you’ll love to hate. Her eye patch incident will have you gripping your seat.)

    Daryl: Quentin showed up in my dressing room in a theater in London. Flew all the way there just to tell me he’d written something for me.

    Can you talk about your training for Kill Bill?

    Daryl: It was actually really good for this film [Casa de los Babys] because of all the training that I had been doing for Kill Bill kind of paid off…I have an athletic disposition, not that I keep it up, but I have that disposition, but it’s definitely helpful because I learned all that stuff pretty fast and of course loved it too. I would sit there and wait for the fight team to be finished with everybody else and be, “Can I get back on the wires?” [Different voice.] “Okay, one more flip.” ‘Cause I just think it’s fun, you get to fly. It was fun.

    What do you think about the film being cut into two volumes, two films?

    Daryl: I think that it is the only thing to do because this script was that big [puts her fingers into a three inch position.] It was a phone book, it was. It was the size of a telephone book and he added stuff while we were shooting. It’s his Magnum Opus. It is. It’s what he calls it. And it’s all the genres that he is obsessed with, it’s Japanese anime, spaghetti western, and kung-fu all combined into one.

    How long did it take you to read the script?

    Daryl: As soon as I got it I sat there and read it all at once.

    Did you immediately think you wanted to do it?

    Daryl: Well, I mean it’s the same thing with Quentin and John Sayles, you just—you don’t even say [dramatic voice] “What’s the part?” [Laughs] You just go, “Yeah, okay. Whatever, and how much will I be paying to do this? How much will it cost me?”

    Have you seen the film yet?

    Daryl: No, I’ve seen pieces of it.

    What do you think it’s going to be like?

    Daryl: Oh my God. The parts that I’ve seen, it wasn’t the parts that I’m in, but parts that I’ve seen of--from the House of Blue Leaves, it’s just stunning, it’s just amazing. It was really really really different from anything I’ve ever seen before because the—Bob Richardson is the cameraman and the camera work is just spectacular and it just floats through this scene and every extra has his own story going on, but it’s not—their own story adds to the whole story and the story doesn’t stop for a fight scene. The story evolves through the fight scenes and grows and changes to you know, it’s hard to explain…its really striking.

    Did Quentin give you a lot of homework?

    Daryl: Seventy-five video tapes…and coming over to his house and watching double features and having to go to work in the morning and having to watch ‘Jackass.’ That was really bad ‘cause he discovered ‘Jackass’ right in the middle of my fight. The week we were shooting my fight scene, so then my fight scene became “And today we’re going to throw snot in your face! And then, now we’re going to smash a lamp in your face, and now!! Flush your head down the toilet!” [Fist in front of her] Johnny Knoxville!
    http://img53.imageshack.us/img53/6324/fightclubmlzq1.jpg

  2. #2
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    Thanks for posting this!


    "Black Mamba, I shoulda been motherfu*kin Black Mamba!" - Vernita Green

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