Get Carter
by Dean Kish
Sylvester Stallone returns to his roots as the action star
we know and love. Can he still carry the gauntlet?
Stallone stars in a remake of the 1970's classic "Get
Carter" which originally starred Michael Caine. In this version, Stallone
stars as Jack Carter a Vegas thug who returns to his hometown to attend his
brother's funeral. As he asks a couple questions about the mysterious death
of his brother he uncovers clues and a seedy plot buried in his brother's
past. The lynch pins in this plot seem to originate with an ex-acquaintance
of Carter's (Mickey Rourke), a club owner (Michael Caine) and a slimey
software developer played by Alan Cumming. Carter also has to take under his
wing the care of Carter's brother's wife and daughter. They are played by
Miranda Richardson and Rachel Leigh Cook.
"Get Carter" is one of the best action films I have seen in
a while. This is the type of film that last summer's "Gone in 60 Seconds"
should have been. The car chases were grim and exciting and the whole film's
seedy underworld felt like an underworld. I liked how the plot enveloped
different angles from the first film as it updated itself. Stallone is no
where near as blood-thirsty as Caine in the original but his tender side
does add to the audience relating to the thug. Also these small elements of
emotion were pivotal in the film's hidden plot.
Even though this was definitely a Stallone vehicle it
stilled allowed a lot of Stallone's supporting cast to shine. These
performances were by Rachel Leigh Cook and Alan Cumming. I liked Cook's
tortured daughter who has her innocence stripped away a layer at a time. I
loved the always enjoyable Alan Cumming as a spoiled "Bill Gates" kind of
guy trying to protect his obvious imperfections. The scene where Carter
drags his out of the party and for a joyride is priceless and really shows
Cumming is becoming a notable character actor.
Approaching his mid fifties, Stallone still seems to be able
to pack a wallop. I would have liked a long exhausting fight at the end
between Rourke and Stallone. In the party fight scene Stallone took a couple
punches just like "Rocky" might and that made me cheer "Rocky, Rocky" until
I was brought back to earth. I would have liked to have seen more of this
adrenaline. I was a little perturbed at the lighting also for when Stallone
and Rourke clashed.
Speaking of lighting, that for me was one of the problems
associated with viewing this film. I liked that the grays and blues
harnessed the seediness but some things were a little hard to see. Another
flaw I found was in Miranda Richardson who seemed to be wasted as the
brother's wife. Her character seemed clichéd and absent a lot when maybe we
should have had a couple more scenes between Carter and her. Other than
those I enjoyed the film.
I am not exactly sure why Warner Bros. tried to cover up
this movie (hiding it from press screenings) when if it was promoted better
it could have been received better. They could have been scared about its
comparison to the original which is such a cult phenomenon. Still it was
tons better than the "Gone in 60 Seconds" remake.
(3.5 of 5) So Says the Soothsayer.
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