Gone In 60 Seconds
by Dean Kish
Hollywood producing tycoon Jerry Bruckheimer returns to the silver screen
with another action film.
Putting aside the Hollywood silver lining, "Gone in 60 seconds" is a remake
of the 1974 cult classic of the same title. The story focus is Memphis
Raines (Nicolas Cage) who has to steal 50 cars in one night or a crimelord
is going to kill his brother.
From the opening scene, I had a feeling of déjà vu as I shook my head. The
lighting, music, and deafening sound are all staples of a "Bruckheimer"
film. Within these three elements is where I found the most of my déjà vu.
Why does every outside shot of a "Bruckheimer" film have to be filmed like
the sun is setting. Doesn't anyone have a conversation outside during the
day?
Another element of déjà vu is when Memphis visits his old mentor (Robert
Duvall). As the music montage climbed in volume and the mood was set, I
waited for an original scene between the mentor and protégé. Instead what we
got was a scene taken right out of "Days of Thunder" where Tom Cruise and
Robert Duvall have a symbolic talk about the majesty of a perfect racing
machine. The speech wasn't the same but the music, mood, body language and
lighting were so uncanny. Through the majority of the picture I felt sorry
for Duvall who was playing the same mentor role as he has in a lot of
movies. "60 Seconds" is a huge disappointment.
I don't blame the director or the stars of this film. What made this film
self-destruct was it's script and the editing of the Bruckheimer production
company. I can't believe nobody saw how bad the dialogue is.
One perfect example of script self-destruction was the scene at the end of
the film where Delroy Lindo's cop tries to relate to Cage's car thief by
delivering this line. "I can relate to your situation and I know why you did
it. A brother's love is a brother's love." After he said that I scratched my
head and thought, "what?"
Another disappointment was with Angelina Jolie who was only in the film five
minutes and had absolutely no chemistry with Cage. This may have been the
script's fault but I at least expected some originality and chemistry during
the "What's better having sex or stealing cars?" scene.
"Gone in 60 Seconds" however does completes the action trilogy of
collaborators Nicolas Cage and Jerry Bruckheimer who opened the trilogy with
adrenaline packed film, "The Rock". Will these guys team up again? I hope
so. I really would like Cage to do another great action film.
Jerry Bruckheimer seems to have lost his touch as his second action film in
a row has been a dud. After the huge box-office of "Armageddon", Bruckheimer
seems to be spreading himself to thin as he opens his first film of the new
millenium. With the projected release of 5 more films this year from his
production company, I wonder if Bruckheimer maybe has to many projects going
at once.
(2 of 5) So Says the Soothsayer.
|